By: Oscar Wilde
Libby audiobook 8 hours
Read by: Simon Vance
Published: 2008 (this version)
Also the Libby ebook shared via Project Gutenberg (2010)
Originally published: 1890 (as a novella) / 1891
Genre: Gothic novel, historical fiction now! also a bit paranormal. . .
This is one of those "classic" books I've often seen referenced but wanted to read for myself. I mostly listened (and Vance's vocal work is excellent) but almost wish I'd read all the text. You just get more and different meaning by looking at the words.
My initial reaction was that the book was mostly about the artist, Basil Hallward. Then Lord Henry met Dorian Gray and the story just spiraled. Lord Henry's philosophies ran toward the glory of hedonism and his comments on the "hideousness of age" impacted Dorian's sense of self-worth. His beauty was more precious than anything. When Basil presented him with the painting of himself, Dorian wished that he would keep his youthful looks and the portrait would age. Ugh. Deal with the devil . . .
Dorian turns on his young love, Sibyl Vane, when she is so distracted by her love for him. His cruel rejection of her starts his downward trajectory in life. His portrait shows his moral downfall while Dorian stays youthful in appearance for years. Wikipedia has an excellent summary of the story.
As I listened / read, I came to see Lord Henry as more and more of a villain. Yes, Dorian is responsible for his own choices, but what an awful "friend" Lord Henry Wotton is! He definitely gave poor advice, always encouraging Dorian to be selfish and wicked.
*** Stop Here to Avoid Spoilers!!!***
When Dorian runs into Basil before his trip to France, I had hoped that it might be a turning point for the young man. Instead, he ends up murdering his former friend. Then he coerces another former friend into helping him get rid of the body. That friend is later dead from suicide. I actually was glad that Dorian killed himself when he finally tried to stab the picture. His choices led him from one evil to the next. Yuk!
I had thought that I might get the movie version to watch after reading the book. The 1945 version interests me . . . but I may just skip it. The love of debauchery isn't really my thing.
<Above posted 6.22.26. Below added 7.8.26.>
I decided to finish reading the ebook and of course, I highlighted several passages . . .
Chapter 1: "You never say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."
Basil is having words with his friend Lord Henry. This is before he has introduced him to Dorian (and Basil never wanted them to meet).
Chapter 1: "I make a great difference between people. I choose my friends for their good looks, my acquaintances for their characters, and my enemies for their brains. A man can't be too careful in the choice of his enemies. I have not got one who is a fool. They are all men of some intellectual power, and consequently they all appreciate me. Is that very vain of me? I think it is rather vain."
Again, I see Lord Henry as a most nefarious person. Here he is philosophizing to Basil. He had rather arrogant opinions on almost everything.
Chapter 1: "An artist should create beautiful things, but should put nothing of his own life into them. We live in an age when men treat art as if it were meant to be a form of autobiography. We have lost the abstract sense of beauty."
This is an interesting perspective from Basil, who has told Lord Henry that he will never display the portrait of Dorian Gray because it has too much of Basil himself in it.
Chapter 9: He had mad hungers that grew more ravenous as he fed them.
As Dorian does evil things, he creates a cycle of wanting to do more. His downfall is more of a tidal wave. I highlighted a lots of parts that I'm skipping. His external beauty and charm continued to draw people to him, but his twisted sense of "right" blighted his soul, which reflected in the picture he kept hidden in the attic.
As I was reading, there were so many places that seemed new (i.e. not part of the audiobook). Was the audiobook abridged? Had I spaced out in my listening while driving? There was a whole section on Dorian's study of jewels with lots of detail. I don't remember that.
Chapter 9: . . . he was unchanged. No winter marred his face or stained his flower-like bloom.
It was absolutely unnatural how his physical form showed no evidence of aging. Some people saw that as part of his charm and beauty. Others knew that he was rotten on the inside.
Chapter 9: His great wealth was a certain element of security. Society, civilized society at least, is never very ready to believe anything to the detriment of those who are both rich and charming.
Ugh. Yes, money and power combined with beauty can give someone a pass . . . sometimes life is truly unfair.
Chapter 9: . . . those strange terrible figures that had passed across the stage of the world and made sin so marvellous (sic) and evil so full of wonder.
What can I say? I'd rather be a child of the light than find delight in sin and evil.
Chapter 9: Dorian Gray had been poisoned by a book.
To say that I dislike the character Dorian Gray is an understatement. Besides all the horrible things he did and the lives he ruined with impunity, he kept blaming someone or something else for his life. The book that Lord Henry gave him was the cause of it all! It was Basil's fault for painting the picture. It was never his own fault for his poor choices and weak moral reasoning.
Chapter 10: "And mind you don't talk about anything serious. Nothing is serious nowadays. At least nothing should be."
When Basil finally connects with Dorian to ask him about the horrible things he has heard, Dorian directs him thusly. He wants only frivolity and fun. But Basil addresses him directly, leading to his murder.
Basil asks him what happened to his previous servant. I wondered about that . . . since he was worried about anyone finding out his secret (that his sin was aging the picture, not him).
Chapter 10: "I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty."
Again, Basil wants to refute the rumors he has heard. He wants to believe only the best of Dorian. Dorian, however, makes light of it.
Chapter 10: "Dorian, Dorian, your reputation is infamous. . . . Don't be so indifferent. You have a wonderful influence. Let it be for good, not evil. They say that you corrupt every one whom you become intimate with, and that it is quite sufficient for you to enter a house, for shame of some kind to follow after you."
As Basil goes on to plead with Dorian, the younger man gets fed up with him and invites him to take a look at his soul. Bringing him to the attic to show him how the painting looks is the first time anyone except Dorian has seen it since it was painted almost twenty years earlier.
Chapter 11: An exclamation of horror broke from Hallward's lips as he saw in the dim light the hideous thing on the canvas leering at him. There was something in its expression that filled him with disgust and loathing.
Basil cannot believe that what he is looking at is the painting he made so many years ago. His shock leads him to beg Dorian to pray for forgiveness.
Chapter 11: "The prayer of your pride has been answered. The prayer of your repentance will be answered also. I worshipped (sic) you too much. I am punished for it. You worshipped (sic) yourself too much. We are both punished."
Basil is genuinely a good guy. Sadly, Dorian has convinced himself that he is the victim and Basil is the one who caused all this.
In chapter 12, there's a whole poem in French! Again, did I not hear this in the audio version? Or did I not listen? And now I'm too lazy to translate it . . . It starts "Sur une gamme chromatique, Le sein de perles ruisselant . . . " Perhaps later I'll look it up.
Chapter 13: They have had my own divorce-case, and Alan Campbell's suicide. Now they have got the mysterious disappearance of an artist."
Lord Henry is chatting about gossip and scandals with Dorian as though none of it really matters. Yes Alan's suicide is really due to Dorian's actions. And of course Basil Hallward's disappearance is 100% Dorian's fault, though he plays the innocent.
Chapter 13: "Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away."
As always, Lord Henry makes proclamations about things as though he is the be-all and end-all of human knowledge and wisdom. I really, really dislike him and his pomposity.
Chapter 13: To get back my youth I would do anything in the world, except take exercise, get up early, or be respectable.
Okay, this is actually funny . . . except that it's Lord Henry saying it to Dorian.
Chapter 13: When they entered, they found hanging upon the wall a splendid portrait of their master as they had last seen him, in all the wonder of his exquisite youth and beauty. Lying on the floor was a dead man, in evening dress, with a knife in his heart. He was withered, wrinkled, and loathsome of visage. It was not till they had examined the rings that they recognized who it was.
Unexpected ending (to me) but so satisfying! When Dorian decides to destroy the picture that is the "cause" of his pain, he end up stabbed. All the ugliness of his soul that had only shown up in the picture returns to his physical form and the picture is back to its pristine beauty. A fitting end, I guess.